Three Ingredients to tell Your Story
Every good story has three main ingredients—what I call the “3 Ss”.
Setting: First, your story needs to happen somewhere at some time: “A long time ago in a galaxy far, far away…” Your setting can be somewhere small, like in a bedroom, just before bedtime, or on the sidewalk in front of a courthouse after finding gum stuck to your shoe on a hot, summer day.
Or your setting can be somewhere bigger, like during the Battle for Marjah or at Fort Benning. Sometimes it’s best to start big and work your way to the specific. The smaller and more specific you can be, the more engaging your story will likely be as well.
Situation: Second, to have a good story, something needs to happen—what I call an “inciting event”—that kicks the whole thing off. Whatever happens needs to propel you to act. In most good stories, there is something the main character wants, and at some point, they’re efforts to get what they wanted are thwarted: I wanted to feel like I belonged, so I did this. Then that happened, and because that happened, I did this. But then this other thing happened and threw me for a loop, so I did this, and here’s what happened next.
Whatever it is that happened, make it short and sweet and get to it right away. That way, your audience will know why you’re telling the story, and that will help them stick around until the end without losing interest.
Shift: Third, your story needs to show change over time. If you’re not different, or if you haven’t updated how you see the world or what you believe, you have an anecdote, not a story. Anecdotes can be funny and interesting, but they don’t usually impact your listeners or readers the same way a good story can.
There should be a moment in your story where you are confronted with at least two options—two paths you could take—and you must do something. This is what I call the “crisis point,” the point in your story where your listener or reader will wonder, “What would I do if this had happened to me?” They’ll keep paying attention, hanging on your every word, because they’ll need to know what you chose—they’ll need to see how things turned out.
And for all you advanced storytellers out there, those of you who probably do most of this instinctually, I’ll challenge you to focus on two more S’s:
Sensory Details: A good detail goes a long way to helping your audience feel fully immersed in your story. Think about all five senses and mix up which details you focus on. Smells and tastes can be especially impactful and can stir up memories in your audience that will help them feel more connected to you.
Similes (and Metaphors, too): “Life is like a box of chocolates; you never know what you’re gonna get.” Comparing something you’ve experienced that may be hard to understand to something your audience can relate to can help bridge the gap between your experiences and your audience’s way of relating to you.
Now that you’ve got a better handle on the most important ingredients all good stories share, it’s time to start writing. When you’re ready, share with someone you trust, someone who has earned the right to hear your truth. Good luck!